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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 16, 2015 | Christie's | London | Post War & Contemporary Art Evening Auction | 11 | Estimates not disclosed | Cabin Essence |
paintings
230 x 350 cm (90.55 x 137.8 in)
oil on canvas
Victoria Miro, London.
Acquired from the above by the present owner in 1994
London, Victoria Miro Gallery, Concrete Cabins, 1994. London, Hayward Gallery, Unbound: Possibilities in Painting , 1994, p. 108 (illustrated in colour, p. 32). London, Tate Gallery, The Turner Prize 1994 , 1994, p. 11, no. 5 (detail illustrated on the cover; illustrated in colour, p. 8; with incorrect dimensions). Vancouver, Morris and Helen Belkin Art Gallery, Peter Doig , 2001-2002, p. 24 (illustrated in colour, p. 27). This exhibition later travelled to Ottawa, National Gallery of Canada and Ontario, The Power Plant Gallery. London, Tate Britain, Peter Doig , 2008-2009, p. 156 (illustrated in colour, pp. 58-59; with incorrect dimensions). This exhibition later travelled to Paris, Musée dâart moderne de la Ville de Paris and Frankfurt, Schirn Kunsthalle Frankfurt. Basel, Fondation Beyeler, Peter Doig, 2014â2015, no. 78 (illustrated in colour, unpaged; with incorrect dimensions). This exhibition later travelled to Humlebaek, Louisiana Museum of Modern Art
I. Kleijn, P. van den Bosch and F. Cohen (eds.), Peter Doig: Charleyâs Space, exh. cat., Maastricht, Bonnefantenmuseum, 2003-2004, p. 136 (illustrated in colour, unpaged; with incorrect dimensions). V. Button, The Turner Prize , London 2007, pp. 110 and 243 (illustrated in colour, p. 111; with incorrect dimensions). J-P. Stonard, âPeter Doigâ in Artforum International , XLVI, no. 8, April 2008 (illustrated in colour, p. 361). C. Lampert and R. Shiff (eds.), Peter Doig, New York 2011, p. 294 (illustrated in colour, p. 26; with incorrect dimensions)
